Speaking of which, the show (and the gallery in general) serves its function well as a little addendum to a trip to the Met, or a way to get your fix if you've memorized the museum's 19th century collection too thoroughly. There's five Bonnards and Vuillards, which are necessarily sketches and minor paintings (Vuillard's hand generates a more reliably identifiable personality, minor Bonnard is near-anonymous), but who's complaining? The six Redons are quite nice, the Balthus vase of flowers is fantastic, and I might be more drawn to these three little Corots than I am to any they have around the corner at the Met. Theodor Adorno - Aesthetic Theory - *****Īndrea Fraser: Collected Interviews 1990-2018īalthus, Pierre Bonnard, Jean-Baptiste-Camille Corot, Henri Matisse, Adolphe Monticelli, Henry Moore, Berthe Morisot, Gerard Mossé, Graham Nickson, Odilon Redon, Theodore Rousseau, Alfred Sisley, Edouard Vuillard - Summer Stock: Modern Masters - Jill Newhouse - **** 1Įmily Segal - Mercury Retrograde (The Question of Coolness) Gerhard Richter Marian Goodman & Lise Soskolne Svetlana, Park McArthur Essex Street, The Cleaners of Mars Reena Spaulings - Addendum: Notes on Psychedelic ArtĬoncerning Superfluities Essex Street vs. Isa Genzken Galerie Buchholz, Art Club2000 Artists Space, Jef Geys Essex Street In Search of the Worst Painting on the Lower East Side The Manhattan Art Christmas Movie Review Special: Notes on Eyes Wide Shut Paul McCarthy and the Negative Sublime, Paul McCarthy Hauser & Wirth
The Aesthetics of the Refusal of Aesthetics, Sara Deraedt Essex Street (2016) The Rules of Appropriation Liz Magor, For Example, Liz Magor Andrew Kreps The Manhattan Art Review's Best & Worst Art Shows of 2021Ī Response to Eric Schmid's Press Release for Henry Fool Triest Why Does The Whitney Biennial Suck So Much? The Painter's New Tools Nahmad Contemporary, Manhattan Claude Balls Int The Manhattan Art Review's Best & Worst Art Shows of 2022
It's Pablo-Matic: Picasso According to Hannah Gadsby Brooklyn Museum
0 kommentar(er)
